{"id":4610,"date":"2022-09-19T18:23:44","date_gmt":"2022-09-19T17:23:44","guid":{"rendered":"https:\/\/www.orfeuspiano.se\/?p=4610"},"modified":"2023-06-13T07:45:58","modified_gmt":"2023-06-13T06:45:58","slug":"hybrid-conference-audience-development-within-classical-music-in-partnership-with-cultural-center-of-belgrade-and-the-embassy-of-sweden-may-2022","status":"publish","type":"post","link":"https:\/\/www.orfeuspiano.se\/sv\/hybrid-conference-audience-development-within-classical-music-in-partnership-with-cultural-center-of-belgrade-and-the-embassy-of-sweden-may-2022\/","title":{"rendered":"Hybrid conference \u201cAudience development within Classical Music in partnership with Cultural Center of Belgrade and the Embassy of Sweden, May 2022."},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t

Hybrid conference \u201cAudience development within Classical Music in partnership with Cultural Center of Belgrade and the Embassy of Sweden, May 2022.<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\n\t\t\t\t<\/i>\t\t\t\t<\/a>\n\t\t\t<\/div>\n\t\t\t\t\t\t
\n\t\t\t\t

\n\t\t\t\t\t\n\t\t\t\t\t\tBrochure \/ timeline\t\t\t\t\t<\/a>\n\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t
\n\t\t\t\t

Panel topics:<\/em><\/strong><\/p>

  1. Panel 1: Musical education as an audience development strategy<\/li>
  2. Panel 2: Musical heritage materials and copyrights<\/li>
  3. Panel 3: New, post-pandemic ethics in the world of classical music<\/li>
  4. Workshop: Become a cultural entrepreneur<\/li><\/ol>

    Panelists:<\/em> <\/strong><\/p>
    Patrick Jovell<\/td>Pianist\/ piano pedagogue\/ journalist, EPTA Sweden<\/td><\/tr>
    George Fredrick Litterst<\/td>Pianist, piano pedagogue, CyberConservatory, USA<\/td><\/tr>
    Professors Aleksandra &\u00a0 Vojislav Ivanovi\u0107<\/td>Quitarists, Music Academy in East Sarajevo, BIH<\/td><\/tr>
    Boris Vrbanec<\/td>Concert piano technician, general manager at PIANO LAND, Serbia<\/td><\/tr>
    Ann-Charlotte Hell<\/td>Program director, Swedish Musical Heritage, Royal Academy of Music, Sweden<\/td><\/tr>
    Eva Helenius<\/td>Director, museum Klaverens Hus, Sweden<\/td><\/tr>
    Pavle Pavi\u010di\u0107<\/td>Solicitor, SOKOJ- Organization of Music\u00a0 Authors of Serbia<\/td><\/tr>
    Filip Krumes<\/td>Violinist, luthier, workshop for repairment & production of string instruments KRUMES, Serbia<\/td><\/tr>
    Prof. Maja Rajkovi\u0107<\/td>Pianist, Faculty of Music, University of Arts, Serbia<\/td><\/tr>
    Vesna Marjanovi\u0107<\/td>General secretary of Europa Nostra, Serbia<\/td><\/tr>
    Prof. Danijel Cerovi\u0107<\/td>Guitarist, founder\/ general director of\u00a0 Guitar Festivals in Nik\u0161i\u0107 and Tivat, Montenegro<\/td><\/tr>
    Jovanka Vi\u0161ekruna Jankovi\u0107<\/td>Pianist, founder\/ director ArtLink Festival, Serbia<\/td><\/tr><\/tbody><\/table>

    Moderators:<\/strong><\/em><\/p>
    Milica Lundin<\/td>Pianist, project manager, Orfeus Culture Project Agency, Sweden<\/td><\/tr>
    Marijana Dujovi\u0107<\/td>

    Musicologist, independent researcher, Serbia<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

    \n\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t
    Conference Audience Development Within Classical Music 2022, panel 1
    <\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t
    Conference Audience Development Within Classical Music 2022, panel 2<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t
    Conference Audience Development Within Classical Music 2022, panel 3<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t
    Final session:\nConclusions & recommendations<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
    \n\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    <\/div>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
    \n\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t
    \n\t\t\t
    \n\t\t\t\t\t\t\t
    \n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    Brochure \/ timeline Panel topics: Panel 1: Musical education as an audience development strategy Panel 2: Musical heritage materials and copyrights Panel 3: New, post-pandemic ethics in the world of classical music Workshop: Become a cultural entrepreneur Panelists: Patrick Jovell Pianist\/ piano pedagogue\/ journalist, EPTA Sweden George Fredrick Litterst Pianist, piano pedagogue, CyberConservatory, USA Professors…<\/p>\n","protected":false},"author":2,"featured_media":4605,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[28],"tags":[],"_links":{"self":[{"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/posts\/4610"}],"collection":[{"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/comments?post=4610"}],"version-history":[{"count":4,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/posts\/4610\/revisions"}],"predecessor-version":[{"id":4754,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/posts\/4610\/revisions\/4754"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/media\/4605"}],"wp:attachment":[{"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/media?parent=4610"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/categories?post=4610"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/tags?post=4610"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}