{"id":4441,"date":"2022-04-06T18:38:34","date_gmt":"2022-04-06T17:38:34","guid":{"rendered":"https:\/\/www.orfeuspiano.se\/?p=4441"},"modified":"2022-04-06T19:03:39","modified_gmt":"2022-04-06T18:03:39","slug":"hybrid-conference-audience-development-within-classical-music-bringing-classical-music-back-into-the-spotlight-in-partnership-with-culture-hub-multikultivator-and-cultural-center-o","status":"publish","type":"post","link":"https:\/\/www.orfeuspiano.se\/sv\/hybrid-conference-audience-development-within-classical-music-bringing-classical-music-back-into-the-spotlight-in-partnership-with-culture-hub-multikultivator-and-cultural-center-o\/","title":{"rendered":"Hybrid conference \u201cAudience Development Within Classical Music: Bringing Classical Music Back Into the Spotlight\u201d, in partnership with culture hub Multikultivator and Cultural Center of Belgrade, May 2021"},"content":{"rendered":"\t\t
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Hybrid conference \u201cAudience Development Within Classical Music: Bringing Classical Music Back Into the Spotlight\u201d, in partnership with culture hub Multikultivator and Cultural Center of Belgrade, May 2021<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\n\t\t\t\t\t\tBrochure \/ timeline\u200b\t\t\t\t\t<\/a>\n\t\t\t\t<\/h4>\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Panel topics:<\/em><\/strong><\/p>

  1. Panel 1:\u00a0Cases of successful performances, audience recruitment\/ animation during Covid-19<\/li>
  2. Panel 2:\u00a0\u00a0New and old audiences: the lockdown results<\/li>
  3. Panel 3:\u00a0Financing classical music pre- and post-Covid-19: challenges and benefits<\/li>
  4. Workshop:\u00a0Create an Unorthodox Classical Concert<\/li>
  5. Demonstration: An two-days concert marathon of the 1:1 CONCERTS\u00a9<\/li><\/ol>

    Panelists:<\/em> <\/strong><\/p>
    Jan Ford<\/span><\/td>\u00a0Orchestras Live, UK<\/td><\/tr>
    Franziska Ritter<\/span>\u00a0and\u00a0Christian Siegmund<\/span><\/td>1:1CONCERTS\u00a9,<\/i>\u00a0Germany<\/td><\/tr>
    Ljubica Solunac<\/span><\/td>Cultural Centre of Belgrade, Serbia<\/td><\/tr>
    Branka Kosti\u0107-Markovi\u0107<\/span><\/td>

    TV\u00a0<\/span>North Macedonia<\/span><\/p><\/td><\/tr>

    Ivana Vuji\u0107 Kominac<\/span><\/td>National Theater in Belgrade, Serbia<\/td><\/tr>
    Milo\u0161 Jovanovi\u0107<\/span><\/td>Muzikon orchestra, Serbia<\/td><\/tr>
    Boban Bjeli\u0107<\/span><\/td>Academy of Fine Arts in Belgrade, Serbia<\/td><\/tr>
    Daniel Leskovic<\/span><\/td>Public Fund for Cultural Activities, Slovenia<\/td><\/tr>
    \u017daklina Ku\u0161i\u0107<\/span><\/td>Children\u2019s Philharmonic, Serbia<\/td><\/tr>
    Jasna Dimitrijevi\u0107<\/span><\/td>Ilija M. Kolarac Endowment, Serbia<\/td><\/tr>
    Boris Vuji\u010di\u0107<\/span><\/td>Dobar Glas Foundation , Serbia<\/td><\/tr><\/tbody><\/table>

    Moderators:<\/strong><\/em><\/p>
    Milica Lundin<\/td>musician, cultural manager, agency Orfeus, Sweden<\/span><\/td><\/tr>
    Vladimir Djordjevi\u0107<\/td>

    cultural manager, Service for Culture and Arts Development Multikultivator, Serbia<\/p><\/td><\/tr><\/tbody><\/table>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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    Milica Lundin - Opening speach
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    Jan Ford<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    1 : 1 Concerts<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Ljubica Solunac - KCB<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    PANEL 2<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    Ivana Vujic Kominac - National Theater<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    PANEL 3<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    Daniel Leskovic<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Zaklina Kusic<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Jasna Dimitrijevic - Kolarac<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Boris Vujicic - Dobar glas<\/h5>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Workshop: Create an Unorthodox Classical Concert<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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    Couches: <\/strong><\/h5>

    Boban Bjeli\u0107<\/strong>, accordionist, music teacher and academy professor, performer at the\u00a0\u00a0\u00a0 Belgrade edition of 1:1CONCERT<\/p>

    Milo\u0161 Jovanovi\u0107<\/strong>, manager of the Muzikon orchestra, project manager, musician<\/p>

    Topics:<\/strong><\/h5>
    1. 1:1CONCERT format. Impressions of the participants;<\/li>
    2. guerilla concerts;<\/li>
    3. different examples of successful unorthodox concerts and stage performances with classical music incorporated in the program. Audience animation in digital form;<\/li><\/ol>

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      Demonstration: An two-days concert marathon of the 1:1 CONCERTS\u00a9<\/h4>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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      Orfeus and the Cultural Center of Belgrade collaborated on two days of marathon 1:1CONCERTS on 15-16 May 2021. Multikultivator, partner for the conference on Audience Development for classical music assisted in the stage of preparation with logistics and advertising.<\/p>

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      There were 4 musicians, 12 guests and 4 venues. Besides me, Milica from Orfeus, there were three more hostesses: Ljubica from KCB and Bianka from Nova Iskra, who engaged at the venues and Marijana who assisted with bringing the guests from the ”place of meeting” to the concert space.<\/p>\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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      \u00a0 Brochure \/ timeline\u200b Panel topics: Panel 1:\u00a0Cases of successful performances, audience recruitment\/ animation during Covid-19 Panel 2:\u00a0\u00a0New and old audiences: the lockdown results Panel 3:\u00a0Financing classical music pre- and post-Covid-19: challenges and benefits Workshop:\u00a0Create an Unorthodox Classical Concert Demonstration: An two-days concert marathon of the 1:1 CONCERTS\u00a9 Panelists: Jan Ford \u00a0Orchestras Live, UK Franziska…<\/p>\n","protected":false},"author":2,"featured_media":4451,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[28],"tags":[],"_links":{"self":[{"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/posts\/4441"}],"collection":[{"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/comments?post=4441"}],"version-history":[{"count":1,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/posts\/4441\/revisions"}],"predecessor-version":[{"id":4442,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/posts\/4441\/revisions\/4442"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/media\/4451"}],"wp:attachment":[{"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/media?parent=4441"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/categories?post=4441"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.orfeuspiano.se\/sv\/wp-json\/wp\/v2\/tags?post=4441"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}